From just having fun on stage at the age of 13, I slowly developed my passion for singing opera. Having received a scholarship to an American high school, I then went on to train as a classical singer with degrees from The Mannes College of Music and Yale University.
Wagner: Die Walküre,Teatro alla Scala Milano/Simone Young/Alexander Soddy 2025 Wagner: Die Walküre, Dresdner Festspielorchester/Kent Nagano (Concertgebouw Amsterdam, Elbphilharmonie Hamburg, Prague Opera), 2024 Mahler: Lied von der Erde, Belgrade Philharmonic/Daniel Raiskin, 2023 Mahler: Lied von der Erde, Copenhagen Philharmonic/Toshiyuki Kamioka, 2022 Wagner: Rheingold, Concerto Köln/Kent Nagano, 2021 Huber: Oratorium Weissagung und Erfüllung , Sinfonieorchester Basel/Duncan Ward, 2021 Mahler/Schönberg: Lied von der Erde, NDR Radiophilharmonie Hannover/Andrew Manze, 2020 (with radio) Beethoven: Sinfonie Nr.9, NDR Radiophilharmonie Hannover/Andrew Manze, 2019 Berlioz: Les Nuits d'eté, Beethovenfest Bonn, Beethovenorchester Bonn/Dirk Kaftan, 2019 Wagner: Die Walküre, BRSO/Simon Rattle, Herkulessaal München, 2019 (with CD on BR-Klassik) Elgar: Sea Pictures, Duisburger Philharmoniker/David Marlow, Mercatorhalle Duisburg, 2018 Berlioz: Les Nuits d'eté, Tonkünstler/Ivor Bolton, Musikverein Wien, 2018 Mahler: Rückert Lieder, Teatro Petruzzelli Bari, 2017 Schumann: Dichterliebe, Festival Kissinger Sommer, 2017 Wagner: Die Walküre, Beijing, Co-Production Osterfestspiele Salzburg, Hongkong Philharmonic/Jaap van Zweden, 2017.
behind the account
I spent over 20 years on the world’s biggest stages as an operatic singer—living the dream, yes, but also carrying the invisible weight that comes with it: pressure, expectations, self-doubt, and a nervous system constantly pushed to its limits.
I learned early that talent alone is never the full story.
What truly determines longevity, consistency, and joy in this profession is what happens behind the voice: the mind, the body, the inner regulation, the strategy, and the courage to keep going when things feel uncertain.
Influenced by the teachings of Eckhart Tolle and meditation, I began approaching performance not through force, but through regulation, focus, and trust.
What I'm
loving
I’m loving the things that truly nourish me: Time with my family, meaningful conversations, music that opens something inside. I often return to the sound world of Ennio Morricone, to reading, and to dancing—sometimes as movement, sometimes as release.
What I'm
learning
I’m learning to slow down and be present.
To listen more deeply—to myself, to others, and to what life is asking in each moment. Awareness has become an anchor for me, inspired in part by the teachings of Eckhart Tolle and the simple practice of returning to the now.
What I'm
not about
I’m not interested in superficial solutions or surface-level success.
I believe in depth, honesty, and work that respects the complexity of being human—especially in artistic and high-performance lives.
what I
believe
At my core, I believe in the meeting point between intention and effort.
In manifestation paired with dedicated work.
theatre
body &spirit
lets go!
“Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.”
— ROBERT FROST
I am a professional classical singer with a deep love for the stage—
for recitals, opera, and concert work—and I actively welcome bookings and artistic collaborations worldwide.
Alongside my performing career, I work as a voice coach and mentor for singers who seek not only technical excellence, but longevity, confidence, and artistic clarity in a demanding profession.
Freebie Freebie Freebie
Walk into every gig clear, prepared, and respected. Before you arrive for an audition, a recital, opera, or concert engagement, there are a few details that make all the difference. The VOYA Gig Checklist helps you focus on your voice, not last-minute stress.
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If you are interested in the life of a professional singer beyond the stage—
in preparation, mindset, artistry, and sustainable success—
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I share insights from international performance life, practical guidance for singers, and moments of inspiration drawn from music, family, and creative work.
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